Search
The Executioner cover image
Links

60

CRITIK

The Executioner

2019
GenresAdventure, Indie, Interactive Movie, RPG, Strategy, Single Player
AvailableSep 25, 2019
PlatformPC, Nintendo Switch
DeveloperLesser Evil Games
Overview

The Executioner puts you in the shoes of a man who tortures people for a living while trying to retain his own sanity. In this game the monster isn't lurking behind you. You are the monster, if you choose to become one.

Small logo

Critik


Scorecard

Info icon

Scorecard unavailable :(

Reviews

4 reviews found

69

Bazimag.com

Sep 29, 2019

Summary and quote unavailable.


50

Pardisgame.net

Oct 2, 2019

Summary and quote unavailable.


NA

Rpgamer.com

Nov 26, 2019

Unique it may be, but that alone does not constitute a quality game that should be experienced by others. Executioners in the medieval justice system weren’t so much concerned about truth coming to light, but rather they were used to coerce confessions out of the accused, who would rather admit to anything than continue to be subjected to the brutal pain and mental anguish.


NA

Polygon.com

Sep 25, 2019

Summary and quote unavailable.

Similar Games
left arrow
left arrow
sliderImage

72

Long Live The Queen

2012
sliderImage

90

Tales of Aravorn: Seasons Of The Wolf

2014
sliderImage
Star Icon

75

Torment: Tides of Numenera

2017
sliderImage
Star Icon

81

Loop Hero

2021
sliderImage

90

Stardew Valley

2016
sliderImage

80

Wasteland 2

2014
sliderImage

79

Hand of Fate

2015
sliderImage

83

Citizen Sleeper

2022
sliderImage

68

Edge Of Eternity

2021
sliderImage

66

King of Seas

2021
sliderImage

68

Blackguards

2013
sliderImage

75

Shadowrun Returns

2013
sliderImage

73

Earthlock

2018
sliderImage

73

Sunday Gold

2022
sliderImage

75

We. The Revolution

2019
sliderImage

74

Expeditions: Viking

2017
sliderImage

74

Dark Deity

2021
sliderImage

70

The Dungeon of Naheulbeuk: The Amulet of Chaos

2020
sliderImage

84

Wildermyth

2021

About

Contact Us

Terms of Use

Privacy Policy


Follow Us

© 2024 Critik.ai